*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.
Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.
*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.
Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.
Author: Created by Hyacinth (talk) 06:08, 6 July 2009 using Sibelius 5.
Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.
Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.
CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
*16 steps in 72 equal temperament on C. Equal-tempered: 216/72:1 = 266.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 265.625 cents rather than 266.672. New version a M2 on 42,85 for 266.650390625 cents rather than 266.672.
*23 steps in 72 equal temperament on C. Equal-tempered: 223/72:1 = 383.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 384.375 cents rather than 383.341. New version a m3 on 85,90 for 383.3251953125 cents rather than 383.341.
*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.
*14 steps in 72 equal temperament on C. Equal-tempered: 214/72:1 = 233.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 234.375 cents rather than 233.338. New version a M2 on 85,74 for 233.3251953125 cents rather than 233.338.
*19 steps in 72 equal temperament on C. Equal-tempered: 219/72:1 = 316.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 91 for 315.625 cents rather than 316.673. New version a m3 on 42,69 for 316.6503906250 cents rather than 316.673.
*25 steps in 72 equal temperament on C. Equal-tempered: 225/72:1 = 416.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 415.625 cents rather than 416.675. New version a M3 on 42,69 for 416.650390625 cents rather than 416.675.
*10 steps in 72 equal temperament on C. Equal-tempered: 210/72:1 = 166.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 165.625 cents rather than 166.67. New version a m2 on 42,85 for 166.650390625 cents rather than 166.67.
*11 steps in 72 equal temperament on C. Equal-tempered: 211/72:1 = 183.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 184.375 cents rather than 183.337. New version a m2 on 85,90 for 183.3251953125 cents rather than 183.337.
*17 steps in 72 equal temperament on C. Equal-tempered: 217/72:1 = 283.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 284.375 cents rather than 283.339. New version a M2 on 85,90 for 283.3251953125 cents rather than 283.339.
Three sets of stacked third, one whole step apart, panned left right and center. Originally intended for meditation. Sounds a bit like early 80's horror film music.
*1 steps in 19 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/19:1 = 63.16 cents. MIDI pitch bend: 26,84 Created in Sibelius with midi pitch bend on 52 for 62.5 cents rather than 63.16. New version a PU on 26,84 for 63.134765625 cents.
Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).
*2 steps in 19 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 22/19:1 = 126.32 cents. MIDI pitch bend: 54,72 Created in Sibelius with midi pitch bend on 72 for 125 cents rather than 126.32. New version a m2 on 53,72 for 126.2939453125 cents rather than 126.32.
*11 steps in 19 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 211/19:1 = 694.74 cents. MIDI pitch bend: 40,62 Created in Sibelius with midi pitch bend on 94 for 693.75 cents rather than 694.76. New version a TT on 40,94 for 694.7265625 cents rather than 694.76.
*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.
Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.
Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.
*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.
